‘Thor: Love and Thunder’ Costume Breakdown, Designer Interview: Photos – WWD – Pen 18

When approaching the costume in Marvel Studios’ “Thor: Love and Thunder,” costume designer Mays C. Rubio didn’t shy away from using an ample amount of color, thanks in large part to the film’s director, Taika Waititi.

“Taika is a volcano of eruptions,” she said. “He is a constant fountain of desire to do a lot of new things with new technology. He is very interested in getting into new technologies and he is very precise and well versed. He really takes me on my toes. keeps on. ”

“Thor: Love and Thunder”, which premieres in theaters Friday, is Rubio’s second “Thor” film and the third time he is working with Waititi. They adopted the same kitschy and colorful aesthetic used for the third Thor film, 2017’s “Thor: Ragnarok”, and took it a step further for the fourth film with new costumes for the titular superhero, played by Chris Hemsworth. . Mighty Thor, played by Natalie Portman.

Since “Thor: Love and Thunder” includes flashbacks and moments in the present, Rubio created about 25 costumes for Hemsworth, many of which were various iterations of Thor’s traditional uniform of metal-plated armor and a red cape. He created other versions of Thor’s uniform by incorporating more vibrant colors such as red, blue and metallic gold to match the exaggerated aesthetic of the film.

“It’s like fireworks in the sky with all the colors,” Rubio said of Thor’s costume. “It really is a blast, and I don’t think you can go any louder than Thor’s costume.”

As for Portman, who is returning to the Marvel Studios franchise to reprise her role of Dr. Jane Foster and to take on the new superhero title of Mighty Thor, elements of Thor’s uniform make it unique for a Rubio heroine. wanted to include.

Natalie Portman as The Mighty Thor in Marvel Studios’ “Thor: Love and Thunder.”
Jason Boland/Marvel Studios

While Portman sports a similar outfit, Rubio chose to use silver metallics and dark reds for the actress’s Mighty Thor outfit. However, the biggest difference between Thor’s costumes is that Portman was teamed with a winged silver headpiece.

Rubio said of working with Portman, “When you have an actor with that ability, he’s really that character before he even comes into the fitting room.” “She already has that character on her mind and she walks into the fitting room knowing exactly what she wants. We’ve created a wonderful, light, dynamic and very ’80s . [headpiece]And this [costumes’] Colors, we wanted to make them look similar to the old Thor, but because Thor has all these new colors, we wanted to do something different for him. ,

On the opposite end of the color spectrum is Christian Bale’s villain, Gore the God Butcher, who contrasts both Thors with his monochromatic white looks. For the character, Rubio wanted to reflect his ancient background, so he referenced old marble sculptures and created an intricately draped costume for Bell.

“It was interesting to make this character [costumes] White because it makes it more terrifying,” she explained. “We didn’t want to get into the villain in black because here the hero side is in black. Color has nothing to do with good or bad. Her draping is inspired by classic statuettes, and we were so happy to find the incredible fabric we treated to. It was an interesting fabric – it was hand woven and it gave it that kind of antiquity and antiquity to this god butcher who comes from a very ancient world. ,

Christian Bale as Gorr the God Burcher in Marvel Studios’ “Thor: Love and Thunder”.
marvel studios

For other characters in the film, such as Tessa Thompson’s Valkyrie and the People of New Asgard, Rubio essentially kept the same aesthetic from warped iterations of the characters, adding modern touches to his costumes to show how he lived life in his new environment. is customized. Still holding some of the traditional style elements that were popular in Old Asgard.

Now with three Marvel Studios projects under her belt — Rubio also designed costumes for Disney+’s “WandaVision,” for which she won an Emmy Award — the costume designer explained that she thinks she’ll love “Thor: Love”. After completion, can take up any type of project. and Thunder. ,

“Having worked on this film in particular, I can tell you that I can be challenged to do anything in costume,” she said. “I am saying this without any guesswork. I am saying this because working in that world many times you must learn something. I am happy to say that I am very good in technology and design I’m on point and know how clothes fall.”

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Originally published at Pen 18

Viktor & Rolf Couture Fall 2022 – WWD – Pen 18

It’s almost a trope to say that Viktor & Rolf plays with structure and volume. But this season she took it quite literally by undressing a model center stage and changing up the whole look, with a few strategic twists.

What started out as a typical Viktor & Rolf silhouette, with broad, exaggerated lapels that stretched dramatically far beyond the shoulders, turned into a strict, but soft, fringed look.

He rolled up a clothes rack, rolled up his sleeves and began to shred his clothes. The stiff strings that held the clothes up were removed and they took off its dangerously high platforms, pulled the inner ropes and melted the hard edges.

The same changes were underway backstage and the looks that were already in place were redone with a new relaxed fit. The collars were cocooning, and the jackets had long flowing tails. The theme was change, and both declared the new look softer and a bit more romantic. Models crisscrossed each other on the runway, usually a show no-no but the chaos was controlled and gave the show a carefree vibe.

The models walked in the last look in ballet flats. It was fitting then that the designer himself was wearing vegas and Doc Marten sandals. In the end, women were on par.

The show took place just before the launch of their new “Good Fortune” fragrance.

Originally published at Pen 18

Zuhair Murad Couture Fall 2022 – WWD – Pen 18

The esotericism provided a rich metaphorical dream scene for Zuhair Murad this season. Tarot signs, an all-seeing eye and horoscope symbols exploded in their colorful collection, providing ample opportunity to play with the gorgeous embellishments they made.

“I’m really attached to this world, and I’m curious to know about the future and this world that’s really mysterious and really old, you know. You don’t know if that’s true, or meaning, and I love signs and symbols,” explained the designer backstage before the show.

The “fortune teller” was decked out in bronze on the front of a gown with a sweetheart neckline, spreading silver-star embroidery over its entire tulle skirt. Less literally, such mysterious characters were referred to in gypsy skirts layered in ruffles of tulle and silk turbans in an array of jewel tones.

In bright red and green, he draped his silk with flair, adding touches of embroidery at the shoulders or waist—a pair of hands that appeared to hang like belt tassels, a nod to palmistry.

A crop top, sequined bodysuit or allover embroidered pant with a central eye offered a vibrant contemporary spin on the look, while a velvet-bodice number with a circular skirt featuring an embroidered astrology chakra in silver would make a statement on the red carpet.

Originally published at Pen 18

French Charity Auction Features Upcycled “Emily in Paris” Costumes – WWD – Pen 18

Secondhand Rose: French non-profit organization Renaissance is staging an auction of outfits made from repurposed designer fabrics, including one-of-a-kind looks worn by Philippine Leroy-Beaulieu and Ashley Park, for season two of “Emily in Paris.”

The group, founded by fashion industry veteran Philippe Guillet, provides job-seekers with training through a six-month program that aims to introduce them to the techniques and jargon of haute couture, the top end of the fashion pyramid that runs through production. Depends on highly qualified workers. Measuring clothes.

Renaissance is offering 76 lots at the auction, which will be held on Thursday in Drouet, Paris, to coincide with Paris Couture Week. These include 44 upcycled outfits, accessories, jewelry and photographs, with proceeds going toward funding the training program.

A chain-embroidered cream dress and jacket worn by Leroy-Beaulieu in the popular Netflix series is estimated at 400 to 500 euros. Park’s “Mount Fuji” outfit, created by pairing a Sonia Rykiel outfit with embroidered Yohji Yamamoto combat pants, is expected to cost from 150 to 180 euros.

Upcycled “Mount Fuji” costume by French nonprofit Renaissance.
Courtesy of Lawrence Laborey / C’Renaissance

Based in a low-income housing estate south of Paris, the workshop welcomes participants from as far away as Chechnya, Algeria, Morocco, Ukraine, Turkey, Guinea, Moldova, France, Ivory Coast, Afghanistan and Brazil, and both Includes experienced tailors and complete beginners.

Guillet, who spent nearly a decade working as research director with Jean Paul Gaultier, has capitalized on a growing trend for sustainable fashion, reinforced by the introduction of a French law that allows companies to sell unsold products. prevents destruction. Their “Detox Ton Stock” program aims to help fashion brands find new uses for their inventory.

To showcase his skills, his team created outfits incorporating items including vintage kimonos; a Jean Paul Gaultier suit; a Fendi dress; A Christian Lacroix Haute Couture skirt, and 20 wedding dresses donned by bridal designer Celestina Agostino.

Some were embroidered on site, while others were embellished through a partnership with the Kalahath Institute, an embroidery center in India.

Gillette has managed to attract a number of high-profile backers, ranging from prominent socialites like Jacqueline de Ribes to donors, who donated one of their couture gowns to companies including construction firm Vinci and airport operator Groupe ADP, who have made use of upcycling. Donated uniforms for ,

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Originally published at Pen 18

Alexandre Vauthier Couture Fall 2022 – WWD – Pen 18

Alexandre Vauthier stepped it up and replaced it this season with a collection that played with proportion on suits and peek-a-boo with dresses.

Last season served as the bones of this collection, and they created Art Deco codes and ’30s shapes with an added ’80s edge. Vauthier developed silhouettes in thicker fabrics such as silk and velvet, while silver sequins or bright slashes of blue came out to counteract any lingering sweetness.

“I wanted something strong and sensual, because the previous collection was a bit romantic,” he said backstage after the show. Vauthier, who worked under Jean Paul Gaultier, made it down to his training. “Sometimes people say to me, ‘You’re obsessed with the ’80s, and maybe it’s because this is my generation, but it’s not about an impact, it’s that you have the power to create your own voice. For all the right techniques and the right timing, you have the right voice.”

He nodded in all his pre-girl boss seriousness to a “working girl” power suit, but cut the sleeves and took the waist down less literally. The “Texas Tuxedo” of acid-washed double denim was given a sequined sheen but felt unnecessary because, as always, her gowns are the real star here.

It was a nod to Grace Jones’ “nightclubbing,” which worked perfectly with disco ball bling. The latest look will speak to celebrity stylists who love their gowns for the red carpet.

Originally published at Pen 18

Dior and Professor Team to Research Cellular Aging Reversal – WWD – Pen 18

Paris – With the aim of reversing cellular aging, parfum Christian Dior has entered into a research collaboration with Vadim N. Gladyshev, a professor of medicine at Brigham and Women’s Hospital in Boston.

“Through science, we are now able to understand the underlying biomolecular mechanisms responsible for the aging of cells,” Dyer said in a statement. “It’s a process that can be targeted, with the potential to slow or reverse it.”

These days, more attention is being paid to the convergence of health, beauty and longevity and the effects it has on the hair and skin care categories.

Dior and Gladyshev’s research program is considered the world’s first program dedicated to the rejuvenation of human skin in the field of age reversal. They will set out to elucidate the biomolecular mechanisms of skin aging, understand biological aging of the skin, and remodel the skin for “lasting youth”.

Dyer said, “The Gladyshev Laboratory has sequenced and characterized the genomes, transcriptomes and metabolites of many exceptionally long-lived mammals, to understand the molecular mechanisms involved and to provide new insights into the prevention of age-related malignancies.” ” “Vadim Gladyshev has also identified signs of longevity based on gene expression, elucidating how lifespan is defined during the evolution of organisms, and how to use this information to modify the lifespan of a species.” can be done.”

The beginning of the scientific field of age reversal was done by Prof. Shinya Yamanaka, who was awarded the 2012 Nobel Prize in Medicine.

For more information on Dior, visit:

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EXCLUSIVE: Parfums Christian Dior Launches Sustainability Strategy

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Originally published at Pen 18

Saas Bahu Aachar Pvt Ltds Amruta Subhash Reveals The Similarities With Her Onscreen Character Suman Enters The Zone EXCLUSIVE – Pen 18

Saas Bahu Achar Pvt. Limited on ZEE5: 6-episode web series Saas Bahu Achar Pvt. Ltd., which was developed by Arunabh Kumar and Apoorva Singh Karki, will debut on ZEE5 on July 8. It was written by Abhishek Srivastava and Swarndeep Biswas. The series, which will be available in Hindi, will also feature Amrita Subhash, Yamini Das, Anoop Soni, Anjana Sukhani and Anandeshwar Dwivedi.Also Read – Saas Bahu Achar Pvt. Limited Trailer: Amrita Subhash fights against all odds to bring back her kids in ZEE5’s beloved series

,Saas Bahu Achar Pvt. Ltd.’ revolves around Suman (played by Amrita Subhash), a small-town housewife who embarks on an ambitious journey to become an entrepreneur and raises her children from her ex-husband Dilip (played by Anoop Soni). Achieves financial freedom to win back from , She tries to start her entrepreneurial journey by selling pickles, but encounters many difficulties and quickly learns that it is not going to be an easy journey. Also read- Tandav: Scenes are at the center of controversies

Also read- Anoop Soni came forward to help Ram Vriksha Gaur, director of vegetable seller Balika Vadhu

Talking about the similarity between herself and Suman, Amrita Subhash said, “So, the similarity between me and my character is the bond between Suman and her mother-in-law. I share the same bond with my mother-in-law in real life. My real mother-in-law is like a bond in the chain, just like my friend. Another similarity is that Suman’s calmness is her biggest strength. Suman enters a realm of Shanti which is very much like mine in real life. ,

Saas Bahu Achar Pvt. Ltd. Ready to premiere on 8th July exclusively on ZEE5

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Originally published at Pen 18